Saturday, April 14, 2018

Ocrafolk Festival (48 Days Away) ~ Performer Profiles (Upstate Rubdown/Mended Wing Theatre Company)

TICKETS / VOLUNTEER / SPONSOR

48 Days To Go . . .Ocrafolk Festival 2018!




Ocrafolk Festival 2018 Introduces Upstate Rubdown & Mended Wing Theatre

Hey Ocrafolk friends! Ocracoke Alive would like to tell you about some of the great performers we will be having at this year's Ocrafolk Festival. Just a quick reminder that Ocrafolk is a ticketed event this year. The proceeds go to support critical student programming in our small island community. We are also inviting you to be a Sponsor and a Volunteer. Find out more at www.ocracokealive.org. Thanks!
Upstate Rubdown is an acoustic septet drawing inspiration from every corner (and decade) of America's musical heritage. Based in New York's Hudson Valley region, the band has spent years cultivating its sound, and continues to grow by the tune. The instrumentation includes Harry D'Agostino on upright bass, Ryan Chappell on mandolin, Dean Mahoney on cajón, and Christian Joao on flute and alto/baritone saxophone. The dynamic rhythm section supports a three part vocal harmony powerhouse of founding members Mary Kenney and Melanie Glenn with recent Nashville-transplant Allison Olender.

Pulling from the greatest corners of American music, this group has the power to get feet moving with or without amplification. Like fresh-farmed vegetables, their music is as organic as it is good for you. From foot-stomping bass, highlighted by the slap of a cajon, to the familiar strums of the mandolin over a wailing saxophone – there’s so much going on instrumentally that when the harmonious lead vocalists chime in, the result is nothing short of a homegrown hurricane of sound."
 
Mended Wing Theatre Company is brought to us by Ocracoke native son, Emmet Temple. He left Ocracoke Island to attend the NC School of the Arts and is bringing some of his troupe to Ocrafolk 2018! Mended Wing Theatre Company is comprised of recent graduates and current BFA students from North Carolina School of the Arts, School of Drama. The project was born out of a desire to bring classical theatre to communities and schools free of charge in a format that is relevant and stimulating for modern audiences. In addition, they see this as a chance to encourage the next generation with overarching themes of hope, compassion, and acceptance.

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